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专业CG翻译人员培训课程-CG技术人才的副业养成

成本价:¥30000元
零售价: ¥13500元
类别 听译培训课程/听译培训课程/
名称 专业CG翻译人员培训课程-CG技术人才的副业养成
编号 TY-6
零售价 : 13500元
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购买数量
 
    
动画制作类 英文听说译 培训课程


专业CG翻译人员培训课程-CG技术人才的副业养成课程
-----本课程的目标是帮助CG技术人才掌握CG类英文视频的听说与翻译能力,能够独立承接琪派人工翻译网或者其他公司或者平台的CG类视频翻译工作任务,甚至是自己开设翻译网店,实现全职工作月收入1-2万,兼职收入上下不封顶的目的。

不论你是厌倦了加班工作,希望回归慢节奏自由工作与生活,或者是遇到事业转型期,需要寻找新的事业方向,只要你专长于CG行业的一个领域,那么带上你的技术,加入我们的专业CG翻译人员培训课程,成为专业CG类翻译人员,随时随地承接翻译任务,赚取可观报酬。


英文专业毕业人士为何不能直接胜任CG翻译工作/不愿从事CG翻译工作
,因为CG类的教学视频涉及到很多的技术操作,如果翻译人员并不懂CG技术,那么基本上无法完成工作,另外英文专业类人士在英文教育行业有更多选择,所以愿意投身CG翻译行业的人就更少。而CG技术涉及到的软件,技术,类别非常多,需要多年训练才能掌握,远超过CG技术人员学好英文翻译的时间。所以如果你对CG类技术了如指掌,那么恭喜你,成为CG类专业翻译人员的基础你已经有了一大半。


本课程由琪派人工翻译网的专业翻译人员授课,根据学员的具体情况,安排对应的学习计划,掌握扎实的听说能力,并带着学员从事实际的翻译任务,带着学员在翻译的过程中积累翻译知识与经验,提升翻译效率。

学员参加本课程后,琪派人工翻译网将为从事学员安排对应的翻译任务,让学员不限时间与地点,随时随地接单工作,实现全职工作月收入1-2万,兼职收入上不封顶的目的。


如果你碰到这种情况,应该考虑为自己的CG技术找第二条出路:
1 厌倦了加班加点,希望自由工作与生活。
2 大城市生活成本高企,每月薪水交了房租与生活费后所剩无几。
3 有被裁员降薪风险,但每月需要稳定开支。

专业CG翻译人员就业培训课程(一对一专属教师辅导)
优惠价:13500元
6期分期:2500元/期
12期分期:1300元/期(6期后上课)
培训后能够独立翻译的英文视频示例
课程内容计划:
课程内容
目标
学习方法培养
教师根据学员的学习能力与基础,培养学员正确的学习与训练习惯,帮助学员掌握与树立正确的学习方法
基础类听说译课程
1 在教师指导下,掌握日常类英文的听说与翻译能力,能够独立听懂与翻译普通的少儿动画片
2 掌握较为全面的语法知识,能够独立分析句子语法结构,
3 积累日常基础词汇,熟悉常见表达方式
4 掌握正确的发音方式,掌握连读爆破知识,流利朗读一般英文文档,能够独立用地道的英文表达方式进行基本表达。
专业听说译课程
1 在教师指导下,针对CG专业类英文视频进行分解训练
2 掌握较为深入的语法知识与翻译知识,能够独立翻译较为复杂的英文句,
3 积累专业词汇,熟悉专业类课程的表达方式,能够独立听懂专业类的视频
4 流利朗读复杂的专业类英文文档,能够独立用地道的英文表达方式进行学术沟通。
涉及到的英语语法
各级听说译课程中讲解
语法 包括 名词 / 冠词 / 代词 / 形容词 / 副词 / 动词 / 非谓语动词 / 动词不定式 / 分词 / 独立主格 / 动词时态 / 动词语态 / 句子种类 / 倒装句 / 主谓一致 / 虚拟语气 / 名词性从句 / 定语从句 / 状语从句 / 连词 / 介 词/ 数词 的用法
涉及到的翻译理论
中级听说译课程中讲解
词语的翻译 / 句子的翻译 / 篇章的翻译 /语法与翻译 / 修辞与翻译 / 英汉对比与翻译 / 汉译英技巧
口语训练
教授学员发音知识,矫正学员的发音问题,教授学员句子的连读爆破等知识,通过日常句子口语翻译训练,帮助学员讲出一口较为标准的口语。
培训所用教材
初级学员使用本公司专业资深翻译人员与琪派外语培训科技合作开发的 专用听译培训系统,中高级学员将跟着老师使用实际的CG类视频进行翻译训练

培训形式:专职翻译人员一对一在线指导+学员线下使用听译专项培训系统训练

1 学员无需按固定时间上课,可根据自己加班,出差,做项目等安排,自行安排学习时间,并联系教师辅导。

2 专业翻译人员指导,丰富的实际翻译学习与实际的翻译经验,帮助学员快速上手。

3 基础类听说译培训一年内全包(基础类训练一般仅需3个月即可掌握),中高级翻译实操课程不限时

辅导教师:陈杰 专业八级 多年翻译经验 毕业于中山大学外国语学院 听译作品,未经许可,不得转载
如果你对自己参加学习掌握的听译能力能做什么不太了解的话,可以参考以下内容,按我们的课程计划学习完,您应该拥有翻译如下视频的能力

Hi, everybody, welcome to the first video tutorial service tutorial,April 2005. my name is Keith , I am your host for this evening or this morning depends on when you download the file. Anyways the first topic we are gonna cover in our tutorial services is posing. We are gonna cover posing for a while. There is a reason why I'm gonna cover posing for a while, because it's really important. In fact I'm of the mind that posing is probably the most important thing you can do in animation, everything else is gravy. I’ve got somebody to back me up on that Ham luske is one of the nine old men. Who is past on now, but he was one of the nine old men at Disney. And he has a quote here for animation. He said your animation is only as good as your poses. You can have good timing and good overlapping action, good follow through, but your poses are not strongly into the point meaning telling story, you don't have good animation. I believe that's very true, i see a lot of emphasis on polish in the cg animation these days. I see a lot of emphasis on making sure that lots little things are ok, either overlaps and stuff, but the things it's lacking is a sense of good posing. Understanding what communicates a character, in every image of pose could be an illustration. It has to be an illustration. It has to read instantly, it has to be something that you get right away, and the thing about posing is that it's the gateway to character, and because it’s the gateway to character, that is the gateway to telling your story. They say that stories is king, story is not necessarily king. It’s more like a prince, crown prince perhaps, but the only reason that story means anything to us is because we care about our characters. If we don't care about our characters we don't really care about what happens to them, therefore the story is meaningless. Let’s take a look at the letters here, there is two things allow you to understand the character and they are found in the pose. Those two elements are appeal and emotion. Come from two sides of the same coin: the first part of the pose has to be appealing, appealing doesn’t necessarily means it's fuzzy bunnies with big brown eyes and looks cubical all, appeal just means something that people can respond to. They are naturally drawn to, they can look at character immediately identify who they are and have the structure within themselves to understand what the characters thinking. Good character design is very important for this. That’s why some of the best characters and simplest ones because her easy to read immediately and figure out: hi, I know that person, or i can at least recognize that person, and i can tell the difference between when they are sad, when they are happy. That’s why stuff like Wallace and Gromit is great. Gromit, the dog has absolutely no mouth whatsoever to work with. It because he so easily understandable from his appeal we can understand exactly what he is talking about while he is not even talking. And that appeal is a gateway to understanding their emotion and that emotion shows who they are as a character. So emotion has to be able to be something that you can draw out of a characters and so we can understand who they are. So appeal and emotion together are our elements of the pose and the character is in the pose. Buzz holds themselves differently than woody, shere khan holds themselves differently than bagheera, moakley holds himself differently than blue and it's just a single image can communicate this entire thing, and it's only appeal in communicating emotion, and there is your character.......

辅导教师:吴枫 专业八级 多年翻译经验 毕业于五邑大学外国语学院 听译作品,未经许可,不得转载
如果你对自己参加学习掌握的听译能力能做什么不太了解的话,可以参考以下内容,按我们的课程计划学习完,您应该拥有翻译如下视频的能力
1 电影肖恩羊制作花絮:
2 Nacho薯条广告
,
 
 
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